da rauch ich ma nen monat n paar schachteln weniger und das passt.
Produkt News ;-)
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Jens
- Held der Arbeit
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ach 179 nur? ich denk 199? is ja noch besser
da rauch ich ma nen monat n paar schachteln weniger und das passt.
da rauch ich ma nen monat n paar schachteln weniger und das passt.
Herr Lehmann: "Das ist eine neue Kassette von Silvio!"
Erwin: "Das ist doch Acid House. Pass auf, dass die Leute hier keine Drogen nehmen."
http://www.soundcloud.com/jens-porath
http://www.youtube.com/user/scyhte82
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basti@mmt
- Held der Arbeit
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- Registriert: 05.05.05 - 15:17
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nö, genau so is es. ich hab schon mal vorbestellt bei thomann, sobald es da ist wird geliefert.
„Ariel there was a fire in your house they say, And that your bedroom is all up in flames. There was a fire in your house they say, They say you've been dancing with the devil. “
http://www.monomental.de
http://www.monomental.de
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Moog Voyager
- Jungpionier
- Beiträge: 95
- Registriert: 23.10.06 - 21:00
- Wohnort: Granulares Hinterzimmer
Kleiner Tipp am Rande für UAD User.
Habe heute den UAD Moog Multimode Filter durchgetestet und kann nur sagen "a must have" . Saustark und UAD User sollten zuschlagen. Habe lang gewartet, doch wiederstehen konnte ich nicht.
If UA were able to conceive a Moog product, what would it be? The answer is revealed in the soon-to-be-released Moog Multimode Filter, which delivers the first truly analog-sounding VCF (Voltage Controlled Filter) digital emulation made for mixing, performing, creating, or destroying. How can we claim this? The devil is in the details … read on-and then listen! Created in conjunction with the foremost pioneers in synthesis, the Moog Multimode Filter is a virtual tabletop filter set that combines the best of Bob Moog’s classic designs with select features from his final Voyager instrument. It is an amalgam of the best new and classic Moog designs, with a few innovations thrown in!
I have to say, I think the Moog Multimode Filter’s GUI is beautiful. And it wouldn’t be a mistake to assume it sounds as good as it looks-in this case it really does. But where did this design come from? This really represents a dream product for Universal Audio: A chance for the guys at UA to become Moog designers for a period of time. We literally asked ourselves, "What product would we want Moog to make that was somewhere between the MF products and a full-blown instrument?" A tabletop filter set is what we really wanted to see: A little more feature-rich than Moogerfooger, but without the oscillators and keyboard, and something that the masses could afford. Cosmetically, it should be a combination of the Moogerfooger’s stomp-box toughness and the elegant panel backlighting and color scheme of the Voyager, of course with the trademark wood sides. If this exact box was available in the analog domain, I'd buy it in an instant!
The signal path begins with the critical distortion qualities of the Moog lineage. As one would expect, the input’s Drive control allows the user creatively to distort the incoming signal. A broad 40dB range offers a wide array of distortion characteristics, mild to mean. However, for the extremist, the Moog Multimode Filter incorporates a 0/+20dB gain switch, giving an option for the extreme distortion capabilities found at the Minimoog’s external input. The sound of this switch is not for the faint of heart--the external input on the Minimoog provides some SERIOUS distortion, and the Moog Multimode matches the distortion qualities and levels of the original very accurately. On a side note, the SE version of this plug may be just the ticket for the "distortion-free" filter camp, of which I know there is a large contingency. The primary difference between the full and SE (besides the obvious DSP savings) version is that the latter is totally devoid of distortion qualities. So the SE may be preferable for some filter freaks!
UA modeled the analog behavior of the historic 4-pole ladder filter conceived by the world’s most recognizable electronic-instrument maker, right down to the self-oscillation and nonlinearities of its analog counterpart. As the name suggests, the heart of the Moog Multimode Filter is the switchable lowpass, highpass, and bandpass filter which allows Moog’s signature self-oscillation and extreme resonance in any of the three modes, bringing a new level of sophistication to Moog filter designs of the past. How is this something different or new? Typically, the self-oscillation made famous by Moog is only found in the lowpass filter. Universal Audio has achieved a circuit design that allows the highpass (and bandpass) to oscillate to the same degree of beautiful ferocity. And this is not "digital-only" magic-this design is provable in the analog domain as well!
Beyond this welcome enhancement, the Moog Multimode gives the sonic and tactile experience one would expect from a real analog circuit-the same beautiful "liquid" quality of the Cuttoff, the same chatter to the resonance that occurs on heavily driven transient-rich material. Add in the amazingly accurate model of the Moogerfooger MF-101 Envelope controls and you have a recipe for pure analog follower satisfaction, with all kinds of beautifully unpredictable sonic results depending on the source material and settings. To up the ante, we decided to enhance the creative license of our users by adding a negative value range to the Envelope parameter!
A truly digital-only feature also found in the Filter section is the Step/Track switch, which allows the user to bypass Cutoff “tracking” (AKA smoothing) in cases where extreme automation moves might make a stepped (non-smoothed) response more desirable; of course, users are free to use this control in other creative ways, too.
How should we mangle the signal next? The LFO section of our little dream filter set incorporates the basics of what a user should expect from a Moog modulator: Rate, Amount, and a Wave table. The Moog Multimode offers all the classics: Sine, Triangle, up and down Sawtooth, Square and Random. Another digital-only enhancement is manifested in the choice between Free and Sync, which is our UAD Tempo Sync feature--still somewhat new for the UAD platform. When synchronized, the red LCD displays musical note values in the same way the RE-201 Space Echo plug-in does. Do you want to set the LFO rate so that it is the same each session? Click on the LFO meter LED-it is a “hidden” (and automate-able) control that allows the user to reset the LFO wave. Feel free to use it in any other creative manner too!
Borrowing from the Moog Voyager, the Moog Multimode Filter is really two filters running simultaneously--with ganged controls for most everything. Like with the Voyager, the Spacing and Offset controls allow you to shift tonality between the filters. Spacing “spaces” the cutoff point between two separate, hard-panned filters by up to three octaves. This is an amazing feature that creates subtle beating between the filters at its most conservative settings, or goes all the way to wide stereo image/tonal shifting. Positive and negative values are available, which allows the user to reverse the image of the higher- and lower-pitched filters. Offset is found in the LFO section of our tool, which creates a phase difference between the two LFO-affected filters by up to -180º/+180º. This Rate- and Amount-dependent control can create that slightly disorienting, out-of-phase feeling--or dramatically increase stereo width, or even function as an audible delay effect. Again, reversing the stereo image is easy with the Offset negative value range.
Mix blends wet and dry signal, while Output controls the final volume of the instrument. In addition, a Mono/Stereo switch enables the mono summing of any stereo effect, plus Effect/Bypass turns off all effects but leaves the Drive and Output controls enabled. As mentioned earlier, we also offer the SE low-DSP version. Cosmetically, the unit uses the Luna backlighting and maplewood sides available from the Voyager Select Series (you owe it to yourself to check out Moog’s custom Voyager shop) to differentiate it from the electric blue/mahogany (!) full version. The two versions are functionally identical, except the SE version removes the 0/+20dB switch and Drive is renamed “Gain” for better technical accuracy under the SE. Again, this is because no distortion capabilities are included in the SE. Despite this, the user can freely copy/paste and save/load presets between the two versions with the upcoming 5.0 feature enhancements! Yes, it is true-UAD v5.0 adds the ability to copy and paste settings and presets between full and SE versions of the same plug-in. (Among many other great surprises!)
Das Video zeigt Grunddetails. Geht natürlich noch einiges mehr
[YOUTUBE]http://www.youtube.com/watch?v=SxpB6mKXDn0[/YOUTUBE]
Habe heute den UAD Moog Multimode Filter durchgetestet und kann nur sagen "a must have" . Saustark und UAD User sollten zuschlagen. Habe lang gewartet, doch wiederstehen konnte ich nicht.
If UA were able to conceive a Moog product, what would it be? The answer is revealed in the soon-to-be-released Moog Multimode Filter, which delivers the first truly analog-sounding VCF (Voltage Controlled Filter) digital emulation made for mixing, performing, creating, or destroying. How can we claim this? The devil is in the details … read on-and then listen! Created in conjunction with the foremost pioneers in synthesis, the Moog Multimode Filter is a virtual tabletop filter set that combines the best of Bob Moog’s classic designs with select features from his final Voyager instrument. It is an amalgam of the best new and classic Moog designs, with a few innovations thrown in!
I have to say, I think the Moog Multimode Filter’s GUI is beautiful. And it wouldn’t be a mistake to assume it sounds as good as it looks-in this case it really does. But where did this design come from? This really represents a dream product for Universal Audio: A chance for the guys at UA to become Moog designers for a period of time. We literally asked ourselves, "What product would we want Moog to make that was somewhere between the MF products and a full-blown instrument?" A tabletop filter set is what we really wanted to see: A little more feature-rich than Moogerfooger, but without the oscillators and keyboard, and something that the masses could afford. Cosmetically, it should be a combination of the Moogerfooger’s stomp-box toughness and the elegant panel backlighting and color scheme of the Voyager, of course with the trademark wood sides. If this exact box was available in the analog domain, I'd buy it in an instant!
The signal path begins with the critical distortion qualities of the Moog lineage. As one would expect, the input’s Drive control allows the user creatively to distort the incoming signal. A broad 40dB range offers a wide array of distortion characteristics, mild to mean. However, for the extremist, the Moog Multimode Filter incorporates a 0/+20dB gain switch, giving an option for the extreme distortion capabilities found at the Minimoog’s external input. The sound of this switch is not for the faint of heart--the external input on the Minimoog provides some SERIOUS distortion, and the Moog Multimode matches the distortion qualities and levels of the original very accurately. On a side note, the SE version of this plug may be just the ticket for the "distortion-free" filter camp, of which I know there is a large contingency. The primary difference between the full and SE (besides the obvious DSP savings) version is that the latter is totally devoid of distortion qualities. So the SE may be preferable for some filter freaks!
UA modeled the analog behavior of the historic 4-pole ladder filter conceived by the world’s most recognizable electronic-instrument maker, right down to the self-oscillation and nonlinearities of its analog counterpart. As the name suggests, the heart of the Moog Multimode Filter is the switchable lowpass, highpass, and bandpass filter which allows Moog’s signature self-oscillation and extreme resonance in any of the three modes, bringing a new level of sophistication to Moog filter designs of the past. How is this something different or new? Typically, the self-oscillation made famous by Moog is only found in the lowpass filter. Universal Audio has achieved a circuit design that allows the highpass (and bandpass) to oscillate to the same degree of beautiful ferocity. And this is not "digital-only" magic-this design is provable in the analog domain as well!
- "This really represents a dream product for Universal Audio: A chance for the guys at UA to become Moog designers for a period of time."
Beyond this welcome enhancement, the Moog Multimode gives the sonic and tactile experience one would expect from a real analog circuit-the same beautiful "liquid" quality of the Cuttoff, the same chatter to the resonance that occurs on heavily driven transient-rich material. Add in the amazingly accurate model of the Moogerfooger MF-101 Envelope controls and you have a recipe for pure analog follower satisfaction, with all kinds of beautifully unpredictable sonic results depending on the source material and settings. To up the ante, we decided to enhance the creative license of our users by adding a negative value range to the Envelope parameter!
A truly digital-only feature also found in the Filter section is the Step/Track switch, which allows the user to bypass Cutoff “tracking” (AKA smoothing) in cases where extreme automation moves might make a stepped (non-smoothed) response more desirable; of course, users are free to use this control in other creative ways, too.
How should we mangle the signal next? The LFO section of our little dream filter set incorporates the basics of what a user should expect from a Moog modulator: Rate, Amount, and a Wave table. The Moog Multimode offers all the classics: Sine, Triangle, up and down Sawtooth, Square and Random. Another digital-only enhancement is manifested in the choice between Free and Sync, which is our UAD Tempo Sync feature--still somewhat new for the UAD platform. When synchronized, the red LCD displays musical note values in the same way the RE-201 Space Echo plug-in does. Do you want to set the LFO rate so that it is the same each session? Click on the LFO meter LED-it is a “hidden” (and automate-able) control that allows the user to reset the LFO wave. Feel free to use it in any other creative manner too!
Borrowing from the Moog Voyager, the Moog Multimode Filter is really two filters running simultaneously--with ganged controls for most everything. Like with the Voyager, the Spacing and Offset controls allow you to shift tonality between the filters. Spacing “spaces” the cutoff point between two separate, hard-panned filters by up to three octaves. This is an amazing feature that creates subtle beating between the filters at its most conservative settings, or goes all the way to wide stereo image/tonal shifting. Positive and negative values are available, which allows the user to reverse the image of the higher- and lower-pitched filters. Offset is found in the LFO section of our tool, which creates a phase difference between the two LFO-affected filters by up to -180º/+180º. This Rate- and Amount-dependent control can create that slightly disorienting, out-of-phase feeling--or dramatically increase stereo width, or even function as an audible delay effect. Again, reversing the stereo image is easy with the Offset negative value range.
Mix blends wet and dry signal, while Output controls the final volume of the instrument. In addition, a Mono/Stereo switch enables the mono summing of any stereo effect, plus Effect/Bypass turns off all effects but leaves the Drive and Output controls enabled. As mentioned earlier, we also offer the SE low-DSP version. Cosmetically, the unit uses the Luna backlighting and maplewood sides available from the Voyager Select Series (you owe it to yourself to check out Moog’s custom Voyager shop) to differentiate it from the electric blue/mahogany (!) full version. The two versions are functionally identical, except the SE version removes the 0/+20dB switch and Drive is renamed “Gain” for better technical accuracy under the SE. Again, this is because no distortion capabilities are included in the SE. Despite this, the user can freely copy/paste and save/load presets between the two versions with the upcoming 5.0 feature enhancements! Yes, it is true-UAD v5.0 adds the ability to copy and paste settings and presets between full and SE versions of the same plug-in. (Among many other great surprises!)
Das Video zeigt Grunddetails. Geht natürlich noch einiges mehr
[YOUTUBE]http://www.youtube.com/watch?v=SxpB6mKXDn0[/YOUTUBE]
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Travelmind
- Aktivist
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- Registriert: 19.07.07 - 09:52
Thomann Zitat: " NEU! Demnächst führen wir Kunden-Bewertungen zu unseren Produkten ein. In der Betaphase können Sie Ihr gekauftes Equipment schon heute über unseren Kundencenter bewerten und Ihre Erfahrungen mit uns und anderen Kunden teilen. Für Ihre Mühe belohnen wir Sie mit einem Thomann-Gutschein!"
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KyleKush
- Rote Socke
- Beiträge: 4234
- Registriert: 13.02.04 - 00:26
- Wohnort: Stuttgart - Braunschweig
- Kontaktdaten:
Livid Block
Block is a compact and programmable MIDI control surface designed for interactive audio performance. Built on the same bi-directional and adaptable platform as the Ohm64, Block provides a powerful interface for creating and interacting with sound in a small easy-to-transport body. Sixty four backlight led buttons provide endless possibilities for visual feedback with the instrument by connecting it to Ableton Live, Max/Msp, our open source sounds apps, or any other software that supports MIDI. The open source blockEditor application lets you reprogram any of the controller's sixty four clip buttons, eight knobs, two faders, and seven function buttons. Block is hand crafted from lightweight wood and aluminum for easy portability.
Block has bi-directional talkback communication allowing the controller to talk to your software, and software to your device. MIDI messages can be sent to the Block to light up the buttons for an interactive performance. Completely programable and mappable, block provides a flexible control surface that be used with any software or setup. Completely USB powered means you don’t have to worry about adapters and and power strips, and it is plug and play so no drivers are required.
http://www.lividinstruments.com/hardware_block.php
Block is a compact and programmable MIDI control surface designed for interactive audio performance. Built on the same bi-directional and adaptable platform as the Ohm64, Block provides a powerful interface for creating and interacting with sound in a small easy-to-transport body. Sixty four backlight led buttons provide endless possibilities for visual feedback with the instrument by connecting it to Ableton Live, Max/Msp, our open source sounds apps, or any other software that supports MIDI. The open source blockEditor application lets you reprogram any of the controller's sixty four clip buttons, eight knobs, two faders, and seven function buttons. Block is hand crafted from lightweight wood and aluminum for easy portability.
Block has bi-directional talkback communication allowing the controller to talk to your software, and software to your device. MIDI messages can be sent to the Block to light up the buttons for an interactive performance. Completely programable and mappable, block provides a flexible control surface that be used with any software or setup. Completely USB powered means you don’t have to worry about adapters and and power strips, and it is plug and play so no drivers are required.
http://www.lividinstruments.com/hardware_block.php
Alle jammern über den Tod von Techno, dabei ist er lediglich von seinen Protagonisten in eine Einbahnstraße bugsiert worden.
http://www.myspace.com/kylekush
http://www.myspace.com/kylekush
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Travelmind
- Aktivist
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- Registriert: 19.07.07 - 09:52
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basti@mmt
- Held der Arbeit
- Beiträge: 9897
- Registriert: 05.05.05 - 15:17
- Wohnort: bin ich nicht hier, bin ich auf´m sonnendeck
- Kontaktdaten:
kurze mitteilung am rande, maxforlive ist im public beta status. da werden die nächte wohl in zukunft wieder kürzer, hehe.
edit:
gibt auch ein nettes 10 jahre ableton angebot.
http://www.ableton.com/
da werden die nächte wohl in zukunft wieder kürzer, hehe.edit:
gibt auch ein nettes 10 jahre ableton angebot.
http://www.ableton.com/
„Ariel there was a fire in your house they say, And that your bedroom is all up in flames. There was a fire in your house they say, They say you've been dancing with the devil. “
http://www.monomental.de
http://www.monomental.de
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Travelmind
- Aktivist
- Beiträge: 1243
- Registriert: 19.07.07 - 09:52
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KyleKush
- Rote Socke
- Beiträge: 4234
- Registriert: 13.02.04 - 00:26
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- Kontaktdaten:
Travelmind hat geschrieben:Bild durch URL ersetzt: http://www.teenageengineering.com/image ... p_size.jpg
http://www.teenageengineering.com/products/op-1/
http://de.dawanda.com/shop/softmachines
lol das ding ist ja wohl wahrlich keine neuigkeit mehr das hab ich vor nem jahr schon gepostet
Alle jammern über den Tod von Techno, dabei ist er lediglich von seinen Protagonisten in eine Einbahnstraße bugsiert worden.
http://www.myspace.com/kylekush
http://www.myspace.com/kylekush
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bonzo0
- Held der Arbeit
- Beiträge: 8807
- Registriert: 20.05.07 - 18:28
- Wohnort: da wo's Nuß-Nougat-Croissants gibt!
fader für die eq's? des würde mich als dj irritiern
"Meine Damen und Herren, ich hoffe, Sie verzeihen mir meine Leidenschaft, ich hätte ihnen die Ihre auch gerne verziehen."
http://soundcloud.com/bonzo0" onclick="window.open(this.href);return false;
http://fuckyeahbigcitylife.tumblr.com" onclick="window.open(this.href);return false;
让我把我的舌头在你的阴蒂
http://soundcloud.com/bonzo0" onclick="window.open(this.href);return false;
http://fuckyeahbigcitylife.tumblr.com" onclick="window.open(this.href);return false;
让我把我的舌头在你的阴蒂
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Travelmind
- Aktivist
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- Registriert: 19.07.07 - 09:52
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besseres morgen
- Held der Arbeit
- Beiträge: 11840
- Registriert: 13.03.05 - 02:18
gibts und gabs immer wieder. find ich an sich auch gar nicht so schlecht da man auch so eine schöne kurve machen kann und ggf sogar 2 mit einer hand bedienen kann.bonzo0 hat geschrieben:fader für die eq's? des würde mich als dj irritiern
an sich find ich das vestax teil auch gar nicht so hässlich. müsste man halt testen.
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KyleKush
- Rote Socke
- Beiträge: 4234
- Registriert: 13.02.04 - 00:26
- Wohnort: Stuttgart - Braunschweig
- Kontaktdaten:
ach soTravelmind hat geschrieben:thx....bin grad erst von hinterm Mond zurückKyleKush hat geschrieben: lol das ding ist ja wohl wahrlich keine neuigkeit mehr das hab ich vor nem jahr schon gepostet
zum vestax teil ja sollte man mal testen hab aber auch leider sonst noch nichts darüber gefunden
fader find ich nun auch garnüüü mal so schlecht hab ich immer gerne benutzt
Alle jammern über den Tod von Techno, dabei ist er lediglich von seinen Protagonisten in eine Einbahnstraße bugsiert worden.
http://www.myspace.com/kylekush
http://www.myspace.com/kylekush
-
KyleKush
- Rote Socke
- Beiträge: 4234
- Registriert: 13.02.04 - 00:26
- Wohnort: Stuttgart - Braunschweig
- Kontaktdaten:
hier mal ein video in action http://www.youtube.com/watch?v=8WoSxQf9fno
Alle jammern über den Tod von Techno, dabei ist er lediglich von seinen Protagonisten in eine Einbahnstraße bugsiert worden.
http://www.myspace.com/kylekush
http://www.myspace.com/kylekush
-
Jens
- Held der Arbeit
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hurra, hurra
maschine 1.1 is da!!
endlich is die neue version auch offiziell zu haben und nich nur als public beta. für alle, die nich im ni-forum mitlesen, hier mal die liste der neuerungen:
die restlichen features, wie zb vintage sampler emulation, klingen aber auch ganz interessant.
dann muss ich die kiste vllt doch nich weiterverkaufen. wär ja echt toll, denn eigentlich mag ich sie ja.
maschine 1.1 is da!!
endlich is die neue version auch offiziell zu haben und nich nur als public beta. für alle, die nich im ni-forum mitlesen, hier mal die liste der neuerungen:
dann heissts jetz nur noch warten auf version 1.2, um endlich komplettes midi out zu kriegen.NI hat geschrieben:New and improved features:
* MIDI Out Mode for sounds
* MIDI In for sounds and groups
* Drag-and-Drop audio export for scenes and patterns in host
* Record and trigger scenes switches via MIDI notes in host
* Scene retrigger option in plugin mode
* Loading groups without patterns
* Additional slicing sizes (1/8th etc.)
* REX file import
* Scene naming
* Adjustable metronome volume
* Record Count-In option
* Quick adjustment of group and sound volumes on controller
Fixes:
* Several fixes and stability improvements
die restlichen features, wie zb vintage sampler emulation, klingen aber auch ganz interessant.dann muss ich die kiste vllt doch nich weiterverkaufen. wär ja echt toll, denn eigentlich mag ich sie ja.
NI hat geschrieben:Just a quick overview about some of the improvements that you can look forward to - these will include MPC program import, destructive audio editing, host automation, MIDI CC and pitchbend support, adjustable slice markers, MIDI export of patterns via Drag&Drop, a "vintage" sampler mode that emulates the sound of the MPC 60 and SP1200 (based on actual component modelling), and much more.
Herr Lehmann: "Das ist eine neue Kassette von Silvio!"
Erwin: "Das ist doch Acid House. Pass auf, dass die Leute hier keine Drogen nehmen."
http://www.soundcloud.com/jens-porath
http://www.youtube.com/user/scyhte82
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nicogrubert
- FDJ'ler
- Beiträge: 429
- Registriert: 31.07.02 - 14:27
- Wohnort: Zürich
- Kontaktdaten:
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Jens
- Held der Arbeit
- Beiträge: 13510
- Registriert: 16.10.03 - 15:15
- Wohnort: im Leipziger Ghetto
- Kontaktdaten:
also mit den betas hatte ich, bis auf die ersten 2, noch keine großen probleme. und die paar bugs wurden mittlerweile zum glück beseitigt (leider erst genau nach dem we als sie sie zum ersten mal live im einsatz hatte ).
hab das update jetzt grad installiert und werd gleich mal antesten.
).hab das update jetzt grad installiert und werd gleich mal antesten.
Herr Lehmann: "Das ist eine neue Kassette von Silvio!"
Erwin: "Das ist doch Acid House. Pass auf, dass die Leute hier keine Drogen nehmen."
http://www.soundcloud.com/jens-porath
http://www.youtube.com/user/scyhte82
-
Travelmind
- Aktivist
- Beiträge: 1243
- Registriert: 19.07.07 - 09:52
Image Line has updated FL Studio to v9.0.1.
http://www.image-line.com/documents/new ... 1-releasedAdditions:
* Added 'Sidechain to this track only' option in mixer.
* Added 'Create submix to' option in mixer.
* Added 'Override generic link...' to knob popup menu.
* Slightly improved Sytrus rendering quality.
* Double-clicking a playlist track edits its mostly used clip.
* Speeded up refresh of multidirectional playlist scrolling.
* Wrapper: added option to disable threaded processing for a specific plugin, applies to any new instance of that plugin.
* FPC: added random triggering of overlapping layers.
* FPC: added DW program file import.
* DirectWave: added trigger groups.
* DirectWave: searches for samples in subfolder with the program's name when loading a .dwp.
* FPC: pad menu now shows banks in separate columns instead of submenus.
* FPC: updated DW import.
* FPC: use improved randomization method.
* DirectWave: increased max size of zone and program name to 128.
* DirectWave: implemented new save/restore routine, unified across FL/VST and dwp/dwb.
* Downloader: options window is now integrated in content library window.
* Downloader: clicking an cd/category will open or close it (no double-click necessary).
Bug fixes:
* Fixed minor bug when right-clicking mini piano roll view for immediate jump in some cases.
* Fixed minor browser bug.
* Kb preview now works better as notes are released when you select another channel.
* Changed priority stuff when background rendering.
* Fixed bug loading old projects with internal controllers in sends.
* Fixed crash in Edison's scratching tool.
* Fixed possible hang when using remote control with smoothing enabled.
* FPC: fixed issue cutting preview voices.
* Wrapper: don't respond to "update display" messages during saving.
* Wrapper: input names were sometimes shortened.
* Wrapper: fixed deadlock when i/o changed.
* Fixed little Delphi memory leak.
* Fixed crash in Fruity Stereo Shaper when both delay & phase were in use.
* Wrapper: rewrote small part of DX plugin initialization.
* Wrapper: fixed loading old DX plugin state if plugin wasn't found.
* FPC: pad volume wheel resets to 100% instead of 0%.
* FPC: mute button now works correctly if there are multiple pads triggered by the same semitone.
* FPC: deleting a layer would delete two instead of one.
* Downloader: custom download location wasn't used in some situations.
* Video Player: fixed "Ignore tempo changes".
* DirectWave: fixed crash in VST sampling because of buffer overflow.
* DirectWave: read sample position offset fields from sf2 file (start, end, loop start, loop end).
* DirectWave: fixed zone voice count display.
* DirectWave: fixed visual representation of programs in library if their names were too long.
ka obs die info schon gab - ableton und serato planen eine kooperation
Gerhard Behles von Ableton: "Both companies live by the philosophy that software should be straightforward, easy to use, and most importantly, reliable and stable onstage and in the studio. Ableton has never had an answer for the DJ who wants vinyl control, and rather than try to emulate what Serato do so well, we simply make sure that our products work well together."Serato and Ableton announce creative partnership
DJs, remixers and producers on the forefront of technology, watch out. Serato and Ableton are happy to announce a partnership which will pave the way for the future of Digital DJing. With shared artist rosters from hip-hop (DJ Jazzy Jeff, DJ Nu-Mark, A-Trak) to electronica (Paul Van Dyk, DJ Sasha), both Ableton Live and Serato Scratch Live are renowned as the premier performance platforms in clubs around the globe. While Serato's Scratch Live excels in vinyl emulation, music library control and lightning quick hands-on scratching, Ableton Live provides the tools for production, on-the-fly remixing and beat creation.
"Ableton and Serato take different approaches to modern musical performance," says Ableton CEO Gerhard Behles, "But both companies live by the philosophy that software should be straightforward, easy to use, and most importantly, reliable and stable onstage and in the studio. Ableton has never had an answer for the DJ who wants vinyl control, and rather than try to emulate what Serato do so well, we simply make sure that our products work well together."
Serato Audio Research CEO Steve West agrees. "After years of talking together, we're thrilled to be working with Ableton. It's exciting to think about what we can offer to DJs and producers: the ability to go beyond just spinning records and add a personal stamp to the music they play."
Just where this Serato and Ableton collaboration will take us has yet to be seen but one thing is clear: the worlds of DJing, remixing and production for artists worldwide have changes ahead.
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basti@mmt
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falls dich so was interessiert ceades, schau auch mal hier rein:
http://www.mspinky.com/
angeblich die beste timecodevinyl und ein passendes plugin für live gibt es da schon lange.
edit:
hehe, gerade bei mspinky entdeckt.
Turntable-Controlled Vibrating Chaise Longue
http://createdigitalmusic.com/2005/10/2 ... se-longue/
http://www.mspinky.com/
angeblich die beste timecodevinyl und ein passendes plugin für live gibt es da schon lange.
edit:
hehe, gerade bei mspinky entdeckt.
Turntable-Controlled Vibrating Chaise Longue
http://createdigitalmusic.com/2005/10/2 ... se-longue/
„Ariel there was a fire in your house they say, And that your bedroom is all up in flames. There was a fire in your house they say, They say you've been dancing with the devil. “
http://www.monomental.de
http://www.monomental.de
hey danke für die info 
kannte ich noch nicht...
aber wenn ich das richtig verstehe kommt die software ohne interface aus und läuft allein über die soundkarte bzw über einen phonoverstärker
dh ich müsste mein equipment umstellen, denn interface & laptop hab ich ja schon
trotzdem sicher ne preisgünstige lösung für alle djs die digitales material einbinden wollen...
auch wenn die benutzeroberfläche unfassbar hässlich aussieht
kannte ich noch nicht...aber wenn ich das richtig verstehe kommt die software ohne interface aus und läuft allein über die soundkarte bzw über einen phonoverstärker
dh ich müsste mein equipment umstellen, denn interface & laptop hab ich ja schon
trotzdem sicher ne preisgünstige lösung für alle djs die digitales material einbinden wollen...
auch wenn die benutzeroberfläche unfassbar hässlich aussieht
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basti@mmt
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jo die oberfläche ist wirklich "einmalig" ... das was du als interface bezeichnest sollte rein technsich nichts anderes sein wie eine soundkarte. deswegen braucht man zum digitalen auflegen diesen ganzen kram eigentlich nicht, ne soundkarte mit phonopreamp (oder extern) reicht völlig aus. ganz gute freeware gibt es ohne ende, gerade für puristen die auf die ganzen effekte verzichten können.
... das was du als interface bezeichnest sollte rein technsich nichts anderes sein wie eine soundkarte. deswegen braucht man zum digitalen auflegen diesen ganzen kram eigentlich nicht, ne soundkarte mit phonopreamp (oder extern) reicht völlig aus. ganz gute freeware gibt es ohne ende, gerade für puristen die auf die ganzen effekte verzichten können.„Ariel there was a fire in your house they say, And that your bedroom is all up in flames. There was a fire in your house they say, They say you've been dancing with the devil. “
http://www.monomental.de
http://www.monomental.de
ich hab hier gerade ne total grandios ausformulierte antwort geschrieben und dann hat sich wiedermal das board verabschieded - jetzt hab ich keine lust nochmal anzufangen ^^
ich fass es mal in paar stichworten zusammen: stabilität, zuverlässigkeit, kleine englische community, penis
nu malt euch aus was ich sagen wollte rotz ey...
ich fass es mal in paar stichworten zusammen: stabilität, zuverlässigkeit, kleine englische community, penis
nu malt euch aus was ich sagen wollte
rotz ey...-
bonzo0
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[youtube]http://www.youtube.com/watch?v=HlBZpaLHRws[/youtube]
After nearly a decade of study in the art of controllerism, Moldover has created his first commercially available controller. Assimilating ideas from traditional instruments, DJ hardware, and game controllers, The Mojo puts an unprecedented level of power and completely intuitive control in your hands. Combining ergonomic elegance, rapid-fire tactile responsiveness, and bullet-proof construction, The Mojo is the sexiest controller in the entire multiverse. Order your own and get more details at moldover.com http://moldover.com
"Meine Damen und Herren, ich hoffe, Sie verzeihen mir meine Leidenschaft, ich hätte ihnen die Ihre auch gerne verziehen."
http://soundcloud.com/bonzo0" onclick="window.open(this.href);return false;
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让我把我的舌头在你的阴蒂
http://soundcloud.com/bonzo0" onclick="window.open(this.href);return false;
http://fuckyeahbigcitylife.tumblr.com" onclick="window.open(this.href);return false;
让我把我的舌头在你的阴蒂